Posts by Phoenixx Staff

Greta Van Fleet Rock Their Way To Four Grammy Nominations

Michigan natives, Greta Van Fleet have been nominated for an impressive four Grammys. Their list of nods include the coveted best new artist, best rock album for EP “From The Fires”, best rock performance for the unmistakable “Highway Tune”, and best rock song for “Black Smoke Rising”.

The nominations come on the heels of their explosive debut album, “Anthem Of The Peaceful Army”, and lead the rock music community.

Though only in their late teens and early 20’s, these gentleman posses an unmatched talent that not only meets but exceeds all of the hype that has trailed the band through 2018.

Greta Van Fleet is presently on tour, and will be making three sold out stops at Detroit’s Fox Theatre later this month.

 

 

Words and photo by: Tiffany Cuthrell

The Faint Announce New Album, “Egowerk”

Musical masters, The Faint have announced a brand new album entitled “Egowerk”. The forthcoming LP will be released on March 15th of next year, and houses 11 tracks.

The band’s last release, “Capsule: 1999-2016” was appropriately a collection of songs spanning The Faint’s career, in addition to 3 new tracks. One of which, “Young & Realistic”, is set to appear on “Egowerk”.
“Egowerk” is now available for pre-order. In addition, as a grateful gesture, the band released some limited edition materials via PledgeMusic such as signed posters, drumsticks, lyric sheets, and even a keyboard key.
Fans are excitedly standing by (myself included) to hear the album in its entirety.

Be sure to check out the video for the album’s lead single, “Child Asleep”, which is streaming now.

 

Egowerk Trackslist:

1 Child Asleep
2 Chameleon Nights
3 Life’s a Joke
4 Alien Angel
5 Egowerk
6 Own My Eyes
7 Source of the Sun
8 Another World
9 Quench the Flame
10 Young & Realistic
11 Automoton

 

 

Words by Tiffany Cuthrell, photo courtesy of The Faint

Arts Beats & Eats Closes Out The Summer Season Right

Ford Arts Beats & Eats celebrated its 21st year by bringing end of summer fun to the Detroit suburb of Royal Oak.

The bustling festival spanned four total days, extending through the holiday weekend and wrapping up on Labor Day Monday.

Several artists lined the streets with tent shops, showcasing everything from handcrafted treasures to lovely art prints. There was a little something for every art seeker such as jewelry, ceramic pottery, photographs, clothing, and anything in between.

The food was just as exciting with vendors serving up local cuisine, BBQ, as well as tastes from across the map.
Several stands served beverages as well, making a perfect addition to the hot days.

Music was a staple of the festival each day. A great deal of local talent was in the spotlight on many of the festival’s smaller stages, with artists from several genres spanning all the way from bluegrass to electronic.
At the Michigan Lottery National Stage, several superstars made a stop such as AWOLNATION, Eddie Money, Matt Nathanson, Rival Sons, Ben Folds, and Everclear (to name a few).

Carnival rides and fun games were at different ends of the festival, filled with smiling families and little kids who were so happy to have won a prize.

Overall, this edition of Arts Beats & Eats was a resounding success, and always is the perfect way to wrap up the summer before children are heading back to school. As expected, the festival provided great family fun for all ages, great music, and unique art for the interested eye.

Festival review and photos by: Tiffany Cuthrell

AWOLNATION Make Welcome Stop At Arts Beats & Eats

AWOLNATION made a great tour stop on Sunday September 2nd at Royal Oak Michigan’s Arts Beats & Eats festival.

A gentleman from Detroit’s radio station, Alt 106.7 introduced the band. He had even personally suggested AWOLNATION to play at the festival.
Louis Armstrong’s “What A Wonderful World” greeted the band to the stage. The roaring crowd was ready as lead vocalist Aaron Bruno paced up, scanning the audience. AWOL started off their night with the lead track from their latest album entitled “Here Come The Runts”. Before venturing into “Hollow Moon” Aaron stated, “I’m looking for the best dancer here tonight!” His quest continued throughout the evening.
“I’m still looking for the best dancer here tonight. You could be anywhere! Who are you? What’s your name? What’s your best move?”
Their track “Passion” included a seamless transition into short but epic track, “Sound Witness System”.
Before the wonderful “Kill Your Heroes”, Aaron told the crowd, “We met some of you back in 2011 on our first record, ‘Megalithic Symphony’. We’ve been gaining new family members all along the way… and what a twisted family we’ve become, wouldn’t you say?”
The band continued into a slowed down track of the hit.
“We love you more than you’ll ever know, ladies and gentleman… but I’m still looking for the best dancer here tonight! Where are you?” He encouraged the crowd to let loose and act a fool as they jammed into “Not Your Fault”.

Before beautiful song, “Table For One”, Aaron picked up some flowers and shared, “Love is in the air tonight, ladies and gentleman, boys and girls! People of all ages.” He tossed the flowers to excited fans, and talked about not having many opportunities to go to dances and slow dance growing up, so he wrote a song where “we could all slow dance together, you see. So everybody put your arm around the person next to you, and let’s try to unite and swing side to side”.

Before “Miracle Man” ended with one last breakdown, Aaron encouraged the crowd to jump! “We can all jump so high, we can touch the stars that you can’t even see yet. If you try your hardest. 1-2 1-2-3- GO!” The audience responded with jumps and arms a-waving.

The band’s passion was on full display, and their musical talents shined throughout the entire set. AWOLNATION included tracks from each of their three full length albums.

After 2015’s “Run”, AWOLNATION exited the festival stage.
The crowd started clapping, cheering and chanting. “EN-CORE, EN-CORE!” until their musical heroes reemerged for three more tracks.
To start off their encore, they ventured into “I’m On Fire”, their spectacular cover of Bruce Springsteen’s jam for the “Fifty Shades Of Grey” Soundtrack.
Next up, they got the crowd moving again with high tempto jam “Burn It Down”.
AWOL ended their set with mega hit, “Sail”. To close out the night, Aaron introduced each member of the band.
“It’s been absolute pleasure entertaining you tonight, and please understand you entertain us just as much with your sweat, your high energy, and your passion for music. I hope you made some new friends and new family memebrs tonight. I hope your ears ring ’cause we’ll be thinking about you for the next week. Would you like us to come back?”
The crowd collectively cheered.
Aaron asked, “Do you want to party with me one more time tonight? JUMP!” As “Sail”‘s last musical breakdown kicked in, everyone in the crowd danced, jumped and raged.
AWOLNATION left the stage one more time, leaving the crowd cheering and shouting in satisfaction.
They were most certainly a welcome addition to the Arts Beats & Eats festivities this year.

AWOL will be continuing their tour into California this month, and ending out at New Orleans’ Voodoo Fest this October.

Setlist:
1. Here Come the Runts
2. Hollow Moon (Bad Wolf)
3. Seven Sticks of Dynamite
4. Passion / Sound Witness System
5. Not Your Fault
6. Kill Your Heroes
7. Table for One
8. Miracle Man
9. The Buffoon
10. Handyman
11. Run (with Thunderstruck intro)
Encore:
12. I’m On Fire
13. Burn It Down
14. Sail

 

 

Photos and review by: Tiffany Cuthrell

Taylor Swift Brings Memorable reputation Tour To The Motor City

Taylor Swift is certainly a gal with a big reputation, but she let nothing but her talent shine at Ford Field in Detroit on Tuesday.

Fans were greeted at the door with light up bracelets to hold high and add their own ray of shining light to the sea of Swifties in the crowd. Fans of all ages dotted the stadium. Several dressed up as characters from different Swift music videos and performances (I even saw a lady with plush kittens sewn to a robe…!) The costumes were no less than creative to honor their musical hero, covering the entire musical spectrum of Taylor’s incredible career. Taylor’s lucky number “13” was everywhere as well (including my own hand).

Joining Taylor on the gigantic tour are stellar artists Camilla Cabello and Charlie XCX, each arriving with exceptional musical reputations of their own.

First to the stage was the beautifully talented Charlie XCX. Charlie burst onto radio waves, into headphones, iPhones, and any possible musical presentation imaginable with the inescapable “Boom Clap” in 2014. Dressed in white denim, she started the evening with the smash hit. She got the crowd cheering when she welcomed everyone to the reputation Stadium Tour. “Are you guys excited to see Camila Cabello? Are you excited to see Taylor Swift?”

Next up was the fiery Camilla Cabello. Having rose to the musical scene spotlight with Fifth Harmony, Cabello has branched out and into her own with tremendous songs like “Havanna” and “Never Be The Same”. Camilla waved, smiled, and blew kisses to several fans when her set began. Dressed in a football jersey that sported her last name along the back, she addressed the crowd, “I’m from Miami, can we make it a little hotter in here?” With great dance moves, and a fun vibe, she encouraged the audience to sing along with her.
It was obvious several fans had also come early to see Charli and Camila as they sang and danced throughout each set.

Ford Field’s energy was electric as the time for Taylor’s set drew near.
Joan Jett’s “Bad Reputation” played across the stadium, starting Taylor’s night solidly before she even emerged.
The lights dimmed, and a brief video showcasing certain career moments and whispers began. The massive screens parted ways for Taylor to appear, covered in a glittering hood. Smoke rose from the stage to the beat as “Ready For It” began. Ford Field was most assuredly ready for Taylor’s set to begin! Fans throughout the packed stadium sang along from the very first note.
A dancer removed Taylor’s sparkling hood, and she moved into “I Did Something Bad”, another terrific track from “reputation”. Her strong attitude and ample expressions emphasized the song’s feel. Toward the end of the song, Taylor and her backup singer chorus echoed, “Light me up, light me up” as dancers raised her high above the stage.
When the song ended, Taylor greeted the crowd with, “Well good evening Detroit, and welcome to the reputation Stadium Tour!” The audience erupted with cheer. She continued, “I’ve been touring since I was about 15 years old and since that point in time I’ve played twenty shows in the great state of Michigan, which is like touring way of saying I really love you guys and we keep coming back to see you.”
She continued, “It’s not like you just know the words to the songs, you guys are screaming the words to the songs and I really appreciate you doing that. It’s just a beautiful thing that you would be that passionate. You know, it’s actually more than beautiful. Do you know the word for something that’s more than beautiful? What’s the word for that, Detroit?” Immediately, “Gorgeous” began. Before the final verse, she took a minute to introduce the gorgeous gals on her tour.
Next during “Style”, she encouraged the crowd to make some noise for her band, and transitioned into “Love Story”.
“Detroit, let me see you jump!”, she exclaimed.
A video montage soon began in which Taylor climbed onto a tall throne of snakes. With a wink, “Look What You Made Me Do” started. Taylor was set on a tilted stage of her own. A giant snake rose tall above the stage.
Toward the final chorus, Taylor’s SNL counterpart, Tiffany Haddish appeared on screen to inform an unknown caller, “The old Taylor can’t come to the phone right now. Why? Oh! Cause she’s dead!”
The set continued into two more tracks from “reputation”, “End Game” and “King Of My Heart”.

Upon concluding, Taylor began speaking on one of the most powerful local heroes… Aretha Franklin. In a touching moment, Taylor reflected that Aretha did so much for music, for women’s rights, and for civil rights.
“She was one of those people where no matter what we said, no matter what glowing positive thing you said about her, it would be an understatement. Words could never ever describe how many things she did in her lifetime that made our world a better place, and this is her home. I would like it if we could have a moment of silence so that every single one of us could reflect on our love and respect for her and everything she did in her life, so could we please cut the lights and have a moment of silence for Aretha?”
Everything went dark for the moment of reflection.
After a minute, Swift stated, “We love you, Aretha.”

With a beautiful, sparkling rainbow dress, she began into “Delicate”. Swift entered a golden enclosure, perfect for the new album’s golden theme. She soared above the audience, serenading the crowd, as she made her way to one of the venue’s two smaller stages on the other side of the stadium.
The crowd was ready to dance as soon as “Shake It Off” began. After the song’s first chorus, she welcomed the incredible openers back to the stage. Charlie XCX and Camila Cabello joined the shining superstar to dance and shake any blues away. Rainbow confetti popped, and showered the stadium with colorful fun, adding a perfect celebratory touch.

Dressed in a glimmering green reputation jacket, Taylor continued her open dialogue with the audience.
“You may notice something about your outfit… you may notice a light up bracelet on your wrist”.
She told the crowd that this is her first full on stadium tour, and though they are really massive, vast places to play, she wanted the bracelets to illuminate each fan.
“I really wanted to be able to see every single one of you in this place. The last section, the last row, I can see you, and that makes me really happy. I can see when you’re jumping around. I can see when you’ve got your hands in the air. I can see you dancing”. She started into “Dancing With Our Hands Tied” with just her acoustic guitar. Her skill as a musician was on full display.

Next she happily told the crowd, “This tour is the most fun I’ve ever had in my whole life. One of the things that’s been so fun about it is every night I’m getting to have a moment with you guys. Just me and a guitar. I hope that’s ok with you…”
The audience cheered and applauded, answering a resounding “Yes!” without having to speak now a single word.
“I’ve been doing different songs than I usually do, songs I haven’t played in a really long time, or maybe songs I’ve never even played acoustic. I’m pretty sure I’ve never played this song acoustic live.” She smiled and noted, “If I’m wrong about that, I’m sure the internet will remind me later”. She began into a stunning version of “Jump Then Fall”.
When the song wrapped, Taylor made her way along a barricade that connected both smaller stages. She grabbed fan’s hands while beaming a glowing smile to everyone along the path. Taylor absolutely radiated confidence and endless love for each fan in attendance the whole night through. Despite the show’s larger than life size, Taylor still managed to give the evening a personal feel, making every single fan feel so welcome and so special.

Once she made her way to the second smaller stage, she started into “Blank Space”. It was truly spectacular to see an artist taking the time to play to each part of the stage, no matter how small.
“In this crowd, I’ve seen some ensembles. The effort you’ve put in is top notch! I’ve seen a lot of people wearing things that correlate to a lyric of a song. I feel like I need to get on your level, and so I’m going to wear a dress while singing a song about a dress…”
She slipped on an airy black dress to emote the honest and beautifully written “Dress” from her latest album. Once arriving at the song’s last line, “Only bought this dress so you could take it off”, she slipped off the dress as the lights dimmed. The attention to detail she paid to each song was second to none.
During “Bad Blood”, Taylor made her way back to the main stage via a soaring skeleton cage transport. She also included a mix of “Should’ve Said No”.
Swift then started into the vocal masterpiece, “Don’t Blame Me”. Screens that showcased the stage were shaped like arches, emphasizing the song’s religious feel. Backing vocalists joined in, adding as much power to the live show as the song has on “reputation”.

After a wave of applause, she took a seat at a beautiful piano. Taylor touched on her gratitude for all of the folks making the tour possible, those that leave their families to drive the trucks and build the stage. She even thanked all of the people in Detroit who helped put the show on from the security teams to workers doing parking, selling t-shirts, selling food and water…
“I want to thank everyone here in Detroit who helped us do this because this stage did not put itself up and I’m so lucky to get to be on it.”
She then reflected on how unreal it is when people remind her of the passage of time.
“When somebody comes up to me and says, ‘I’ve been listening to your music since I was 8’, and I’m looking at an adult saying that to me… No matter how many times somebody says that, it’s still really surreal. When somebody tells me that I’ve been more than a year long phase in their life, I really appreciate that. I want to sing a song that I wrote a while ago, but for me, it’s always going to be about you”.
With just her lovely voice and piano, she started into “Long Live” from 2010’s album, “Speak Now”. Concert-goers waved their wristlets in the air, and many embraced.
With an adjoining “confetti falls to the ground”, she started into “New Years Day”.
After, the stadium was silent as another video began. Taylor was standing in the desert, different moments flashing by, as she read a sharp, poignant, honest, and vulnerable poem.
“Getaway Car” commenced. A backdrop continued landscape expanses, emoting words from the song spotted in neon.
Next up she sang, “Call It What You Want”. A lovely fountain was set up center stage, as white confetti shot up over the stadium. Adding a personal touch at the end of the song, Swift flashed a peace sign, or two right in line with, “Call it what you want to”.

In a purple sequined dress, Taylor began into a medley of “We Are Never Ever Getting Back Together” and “This Is Why We Can’t Have Nice Things”. All of the performers closed out the night with an absolutely epic party! Bracelets sparkled bright in the stadium, fireworks shot up from the top of the stage, and even the water in the fountain danced along.
“Thank you Detroit! We love you so much!”
Clearly ever-grateful for each person with her onstage, Taylor encouraged the crowd, “Please make some noise for the dancers. Make some noise for the singers!” She formed a line with everyone and they all bowed together. After asking the audience to “Give it up for the band”, she ran to both sides of the stage, bowing again.
Once Taylor had disappeared from view and the music stopped, “And in the death of her reputation, she felt truly alive” graced the screens.

The old Taylor might be dead and unable to come to the phone, but the snake-clad goddess who has taken her place sure puts on one exceptional show.
Taylor has continued to evolve right before our very eyes stylistically and musically as an artist, as a person, and as a beautifully powerful force to be reckoned with.
With any amount of negativity thrown her way, or any jab at her reputation, Taylor has remained an entertainer who truly epitomizes class, talent, generosity, and above all, magnificent songwriting.

The Ford Field stop of her tour left no doubt as to why she’s one of the world’s most successful artists, and one unafraid to take risks.
The reputation Stadium Tour will continue with nine more shows in the United States, before heading overseas through November.

 



 

 

Review and photos by: Tiffany Cuthrell

Arts Beats & Eats Making Its Colorful Return To Royal Oak

Ford Arts Beats & Eats is celebrating its 21st year of talent and fun, lighting up the Detroit suburb of downtown Royal Oak, Michigan.

Arts Beats & Eats is perpetually filled with great music, delicious food, and art from all over the map, surely supplying a little something for everyone.

With nine total stages on the docket, big names will hit the musical scene with the likes of AWOLNATION, Matt Nathanson, Everclear, Eddie Money, Rival Sons, Ben Folds, classic sounds from The Spinners, and so much more. Local metro Detroit area musicians will be showcased as well, further making Arts Beats & Eats an event the area can feel represented by and truly proud of. There will even be a Detroit Institute of Arts kids’ stage, ensuring family fun for all ages.

Be sure to catch all of the action over Labor Day weekend, with Arts Beats & Eats spanning from Friday August 31st to Labor Day Monday September 3rd.

For full event details, visit the festival’s website at http://artsbeatseats.com

 

 

 

Preview and featured photo by: Tiffany Cuthrell

Greta Van Fleet Ignite Airwaves With Tremendous New Single

Michigan native rockers, Greta Van Fleet released an incredible new single, with the full support of the mitten state behind them. The single “When The Curtain Falls” dropped on Tuesday July 17th at midnight via the band’s social media outlets.

With catchy riffs and powerful vocals, the Frankenmuth fellas present a track that does not disappoint, and sticks true to their sound. The band has been making waves with their undeniable throwback presence, selling out shows left and right.

The single is surely a sample of great things to come, as the band is set to release their debut full-length album at some point this summer.

Greta Van Fleet will be performing on “The Tonight Show With Jimmy Fallon” on Thursday July 26th.

Be sure to check out their performance, and stay tuned for more great music coming from a band that’s certainly doing rock ‘n roll right.

 

 

 

 

Review by Tiffany Cuthrell, photo by Travis Shinn

Pixies and Weezer Deliver Unforgettable Performance In Metro Detroit

Pixies and Weezer joined forces to the delight of music fans at DTE Energy Music Theatre on Friday July 13th.

Pixies have always been gentleman (and a lady) that make the kind of music they want to make… music that is completely atonally recognizable. That fact was on grand display from the moment the band started their set.

Pixies began their night at DTE in Clarkston, MI walking onto the stage and taking to their mics (or drum set).
Bassist Paz Lenchantin addressed the silent and waiting crowd acapella with the unmistakable “Ooohh” from “Where Is My Mind”. Paz displayed a red flower at the end of her bass, adding a lovely touch. After several “Oooh”s, fellow Pixies joined in, and the epic track began full force. Lead vocalist Black Francis strummed away on a beat up acoustic guitar.

Pixies have been a strong presence in the music scene in the late 80’s with the release of their first stand-out LPs, Surfer Rosa and Doolittle.
After a break-up and hiatus that lasted over a decade, they reemerged (sans bassist Kim Deal, plus Paz Lenchantin) with tours that led up to the release of 2014’s album Indie Cindy.
Most recently, the band released the awesome album Head Carrier in 2016.

Pixies breezed through their set, letting the incredible music speak for itself. Throughout their set, the band was bathed in smoke and colorful lights that added a great feel and emphasis on each song.

Around mid-set during “Vamos”, guitarist Joey Santiago put on quite a show while removing his hat and sliding it along his guitar strings. He even created some effects with his amp cord. After the sonic display, he tipped his hat and gave a small bow as the crowd cheered.
For “Gouge Away”, vocalist Black Francis swapped out his acoustic guitar for electric, for the first time that evening. The terrific lead singer remained electric throughout the night.

After Surfer Rosa’s jam, “Cactus”, the band presented an awesome cover of “Winterlong” by the great Neil Young.

Pixies portrayed jams from across their discography with notable contributions like 2014’s “Silver Snail”, 1990’s “Ana”, and (to the delight of the crowd) Doolittle’s “Mr. Grieves”. Several knowledgeable audience members nodded their heads, and sang along to each song. It was obvious that fans had turned out in droves to welcome the night’s co-headlining act.

Pixies also represented tracks from Head Carrier with jams like “Bel Espirit”, “Um Chagga Lagga” and “All I Think About Now”.
After “All I Think About Now”, Paz Lenchantin exclaimed, “Thank you Michigan.” The audience responded with cheers.
Pixies closed out their night with the memorable songs “Debaser”, “Hey” and “Gigantic”. With over 20 songs under their musical belt, Pixies took center stage to bow together. The crowd positively erupted. Joey Santiago once again tipped his hat, and the exceptional band exited the stage.

Pixies have definitely had an influential hand toward Weezer, as well as many other notable artists, so the pairing made for a smooth transition from one band to the next.

After Pixies wrapped up their night, some rearranging was done, and the stage was set for the evening’s closing act. The atmosphere of the packed theater was electric with anticipation.
A piece of black fabric that had concealed the set up dropped, and Weezer began their set of non-stop rock. Weezer did not shy away from their big hits and well-known songs, starting out with 90’s staple, “Buddy Holly” (complete with the throwback intro). Appropriately, lead vocalist Rivers Cuomo donned an ivory sweater, button-up shirt, tie, and black spectacles.
Next up, Weezer jammed into “Beverly Hills”, with the front row going wild!
For “Pork and Beans”, the band swapped vocals for a few lines between band members, with a huge cheer from the crowd for each gentleman’s contribution.

Their stage was decorated with backdrops much like a living room, with high school pendants (one reading “Jefferson High School”, others with the band member’s last names), and even a picture of a fish. A color-changing neon “W” completed the vibe.
Next on the docket was “Undone – Sweater Song”, which filled the theater with cheers, smiles, aisles full of dancing folks, and many singing along.
Memorable riffs continued with “Hash Pipe”. Lead singer and guitarist, Rivers Cuomo did not remain a stranger to positively shredding on his guitar. Often times he’d head to center stage, as close to the fans as he could be, wailing away.
During “Perfect Situation”, guitarist Brian Bell maneuvered around the stage, at times even standing atop some amps. The audience sang along to the closing chorus’ “Ohhhhh oh”s.

The stage set up changed, and the living room lifted away. In its place emerged a garage with a total jam feel: white door, rock god posters, and even some hanging tools. A recognizable golden light up W raised to the forefront as well. Soon after, Rivers’ sweater was torn away to reveal a red shirt underneath. The crowd went crazy for the outfit change.
During “El Scorcho”, Cuomo replaced “Green Day” with “Pixies”, endearingly singing, “I asked you to go to the Pixies concert with me”. The audience cheered, nodding to the evening’s excellent opener. When the song wrapped up, Rivers shouted to the crowd, “Detroit! Michigan! Clarkston! M-I! Welcome to Weezer time!”
After “Troublemaker”, Rivers exlaimed with a wave, “Alright children! Let’s take it back to 1994, The Blue Album. This is ‘In The Garage'”. After the fitting track, amist posters of AC/DC, Motley Crue and Kiss (to name a few), Cuomo kept the dialogue rolling.
“Now we’re gonna go back to the 1960’s when it all began with a band called The Turtles. It’s called ‘Happy Together’. 1-2-3”. Everyone in the audience sang along to the warm and timeless classic. Weezer slipped in an interlude of Green Day’s “Longview”, still including the fellow rockers, sans “El Scorcho” lyric. Cuomo held up his mic to amplify the crowd, who were singing back to every note.
When “Happy Together” concluded, Rivers quickly put on a sailor hat and white nautical jacket. He waved, and ran into the crowd, high-fiving through an aisle as he moved upward. Other members of the band took on the singing duties of “Keep Fishin'”.
Cuomo made his way through the theater and to the waiting S.S. Weezer (a small wooden craft). Folks at the back of the theater and out on the lawn were delighted at their suddenly closer seat to all of the action. Upon reaching the vessel, Rivers declared, “Hello!” He placed a white guitar across himself and started into “Island In The Sun”, yet another of many songs whose beginning thrilled the crowd. Phone flashlights and lighters soon emerged, swaying in the dark.
After holding out one of the final “mooooooooreeeee” notes to close out the song, Rivers continued, “Ok. Cool. I’m going to try one of my favorite songs of the 80’s by a band called a-ha. This is ‘Take On Me'”. The delighted crowd sang along, even to that impossibly high note. Rivers encouraged the fans to clap along to the closing guitar riff, and they answered happily with applause.
“Yeah! Thank you Detroit!”, Rivers shouted.
“That was dank!” came from the stage. The band played “Burndt Jamb” while replacing lyrics with those from “Smells Like Teen Spirit” as Ribers made his way back to the stage atop the S.S. Weezer.
“That’s right Rivers, you come on down!” Cuomo reappeared from the side of the stage with a black headband and maroon sleeveless Weezer tour shirt. The band rolled through, “I Want You To”, and into new track, “Feels Like Summer”. Amplifying the hot night, flames shot up from the sides of the stage and out of the golden W during the fun chorus. When the seasonal single finished, Rivers asked the crowd, “Are you ready to be blessed? Are you ready to be blessed with the rains? Africa!” Weezer began into their latest single and long-awaited cover of Toto’s “Africa”.
Afterwards, the band exited stage left with a wave. The crowd never stopped cheering for a second, encouraging their favorite band to play a few more jams. Weezer soon reemerged, returning with Rivers spitting H2O into the air.
“Just a wee bit more rock before we go please!” The crowd could not agree with this statement more.
After 1996’s “The Good Life”, Rivers showed his gratitude again.
“Thank you, Detroit! One more! Say It Ain’t So!” The fans kept the trend of singing loudly along going, as a wall of sparks fell at the back of the stage, mimicking the feel of celebratory confetti. Weezer briefly melded into Black Sabbath’s “Paranoid” to close out the show.

Weezer waved and kept shredding to the crowd, til the very last note. Rivers lifted his guitar, then mic stand high. All fellows from Weezer formed a line and bowed together. The audience cheered and yelled back their appreciation for the indelible night.

Over the years, Pixies and Weezer have both left a lasting impact on the music world, and are sure to leave audiences impressed at every venue the tour visits.

Weezer and Pixies Summer Tour 2018 will continue across the United States into August, wrapping up in Omaha at Maha Festival on August 18th.

 

 

 

Review and photos by: Tiffany Cuthrell

Evanescence And Lindsey Stirling Unite For Magical Night In Detroit

Powerhouse band Evanescence and Lindsey Stirling positively delighted DTE Energy Music Theatre in Clarkston, MI to an exceptional night of musicality on Monday July 9th.
Both acts were joined onstage by a talented live orchestra, which gave their songs a bigger than ever feel.

Evanescence has been a force in music since the early 2000’s with their debut album, “Fallen”. In 2017, they returned with a welcome voice to the music world releasing their newest LP, “Synthesis”. “Synthesis” includes new tracks, as well as reworks of previous material with an exceptional orchestral sound.

Since the Evanescence and Lindsey Stirling tour is a co-headling tour, the bands swap order each night to not make either feel more or less important than the other.
Evanescence was first on the docket, starting their night at just about 7:45. The sun was still gleaming into the amphitheater before setting over the horizon.
The orchestra was seated first, and a couple of minutes later, the beautiful Amy Lee emerged from stage right. The audience roared with applause at her presence as she waved with a smile. She seated at a black Steinway and Sons piano and began into “Overture”, the opening musical piece from their latest album.

After the minute or so of song, Amy stood to take the mic. Next up was “Never Go Back”, redone from the band’s self-titled album. The pairing of Evanescence and orchestra was a truly breathtaking soundscape.
During “End Of The Dream”, a flurry of birds projected on the screen behind the musicians. Ms. Lee’s voice soared across each and every fan, a wonderful unity of both power and vulnerability.
When the song finished, Amy joked, “It’s all downhill from here”. She thanked the audience and stated how nice it is to be back in Detroit.
After “My Heart Is Broken”, Amy gave some insight into the tour.
“The tour is special for a lot of reasons. This is the very first time we’ve ever played with a live orchestra. This is the first time playing with these musicians. We pick up local musicians everywhere we go.” There were extra cheers from the crowd, most assuredly for their musical friends and family who were having the extreme honor of playing on stage.
After the recognizable “Lithium”, Evanescence started into the huge track, “Bring Me To Life”. The crowd surged and brought out phone cameras to record. Paul McCoy’s voice was replaced by sweeping music to pair with the chorus. A drummer and percussionist pounded away, still giving the song a heavy feel.
Throughout the show, the other members of Evanescence were seated behind Amy, adding electrifying guitar sound, and backing vocals from Jen Majura.
After “Imaginary”, Amy thanked the crowd again. “You guys having a good time? This is the part of the show where the orchestra is tuning. So legit. I always wanted to be that cool.”
After “Secret Door”, Amy continued that one of her favorite things about music is that it can transport you. “We’re going to play a song that has that power now more than ever.” Evanescnece and orchestra started into a tremendous cover of the Beatles’ timeless “Across The Universe”.
Next was “Hi-Lo”, featuring Lindsey Stirling, who took to the stage with a dazzling violin to beautifully present her musical gift to the song. The song is a collaboration between both artists on “Synthesis”.
After the soaring track, “Your Star”, Amy told the crowd, “We’d like to play a song for you that is one of our oldest”. She explained that the song has become very special, though at first it was not her favorite. “From what we’ve been through together, what we’ve overcome. Thank you for giving this meaning.”
The band and orchestra started into the haunting, “My Immortal”. When the song finished, Amy blew a kiss to the crowd.
The band closed out their night with their new album’s ending track, “Imperfection”. After the song ended, Amy thanked the crowd one more time and said, “Give it up for your amazing orchestra! My amazing band…Our incredible conductor!” The band bound together and bowed, then leaving the stage being showered with applause.

After a brief intermission, the incredible Lindsey Stirling was ready to begin.
Lindsey is absolutely a stand-alone artist, bringing violin into the forefront of the music scene while melding classical music, electronic, dubstep, and even nodding to video games.
Her night started with a powerful poem, paired with images of her journey as an artist… both the disappointments and triumphs – criticisms and acclaim. She started into the tremendous track, “The Arena.” Ms. Stirling covered every bit of the stage, all while playing flawless violin. She danced and jutted, clearly enjoying every moment of putting on such a wonderful show.
Next up was another original song entitled “Moon Trance”. Large tombtstones made their way across the stage, along with dancers in skeleton attire. Lindsey also revealed a new black leotard costume with a white skeleton.
After the song finished, she took to the microphone, stage right.
“What’s up, Detroit? Lions and Tigers and Red Wings, oh my! My name is Lindsey Stirling! I’m honored to be here with you.”

After “Shadows”, Lindsey began into “Shatter Me”, for which Amy Lee joined her once again on stage. Ballet dancers and tutus were abound, emerging to contribute their artistry with the song. The trend continued throughout the night. When the song finished, a deafening cheer echoed over the theater as Amy Lee exited.
Next up was “Lost Girls, the opening track from “Brave Enough”. Talented dancers gave a gorgeous portrayal of hardship and resurrection, with Lindsey joining them for much of the dancing. “Lost girls find a way” echoed through the speakers, giving the dancing a wonderful metaphor.
Lindsey walked again over to the microphone. “Thank you so much! You guys are amazing, Detroit! One of my favorite things about Michigan is that when you ask someone where they’re from, they go like this!” Lindsey held up her hand, making a mitten shape, as all Michiganders do to point to their matriculating location.
“Hey, I’m from California!” She held up her arm and pointed in a silly fashion to a spot on it. “Where you guys from? Let me see it.” The lights illuminated to reveal a packed DTE, each fan holding up their mitten hand.
“Thanks for traveling so far to come to the show tonight. Oh my goodness, there’s so many of you! This is our biggest show of the tour so far. Not only is this special because it’s Michigan, but also this tour in general is really special for me because I’ve known of Evanescence of course for years. I’ve been a casual fan for years!”
“CIRCA 2002” text flashed on the screen before a video played of Lindsey and friends dancing to “Bring Me To Life”.
“Ok, maybe I’ve been a little bit more than just a casual fan. That was me at 15 years old! The reason that I decided to show that video tonight isn’t to show off, as cool as it is. It’s because I don’t think anyone would have watched that and thought, ‘Wow! This girl’s got something. That it factor, there is it.’ That’s a pretty powerful thing to share because I had some big dreams. Even when I made that video. The thing is it was obviously not pure talent that made me who I am today. It was a ton of dedicated hard, hard work! No matter if you are 5 years old or 95 years old, we all still have goals. We all still have dreams. If you can see it in your head, even if nobody else can see it, I am standing up here as proof that if you believe it and if you dream it, you can make it happen. When we reach that moment, that experiene when you feel like you’re living your dream, to me it feels almost like I’m flying. This next song is called ‘Take Flight'”.
Lindsey took to a raised platform that continued to climb higher and higher above the stage. She was wearing a dress whose fabric continued to ascend as well, rising many many feet in the air.

Next up was Lindsey’s original song, “Crystalize”. The audience cheered to greet the track, having recognized it right away. An icy backdrop was reminiscent of that song’s music video. Toward the end of the track, a disco ball was brought onto the stage that reflected light in every direction, all over the theater.
When the song completed, an insightful monologue began over the speakers that presented the power of positivite reinforcement, even on something as simple as crystalized water.
After new track, “Hold My Heart”, Lindsey took to the microphone again.
“Thank you so much, Detroit! Oh my gosh! you guys are amazing tonight! One of the benefits of being one of the first shows on the tour is that all the rhinestones are still on our costumes! One of the negative aspects is that we’re all a little out of shape! I thought I worked out super hard to prepare.”

The open dialogue she presented throughout the night was so very warm, welcoming and uplifting.

“One of the things that I have learned in the last few years is that we have a say in how we feel about ourselves.”
She started into a very personal story about battling anorexia and depression when she was in college. She explained how she used to look at others who were happy and think they were born that way. With time and effort, she went from simply surviving to healing.
“I read self-help books, I went to therapy, I went to group therapy, I did positive thinking exercises, I just turned taking care of my mind into a part-time job. Now if I am feeling negative, I have the tools built inside of me where I can stop and say, ‘I don’t want to feel that way’. I know that’s helpful for everyone that we can choose happiness. I know it’s possible to very authentically love who are. There’s that fake it til you make it but I know that it can actually become genuine and real. Find the light inside of yourself, it’s there, share it with the world and make the world a brighter, more beautiful place. That’s what this next song is about. It’s called ‘First Light.'”
Colorful dancers and a colorful backdrop highlighted the song.

After “Mirage”, Lindsey encouraged everyone to put their hands together for the band and, “I’m going to ask you to stand up! This is pretty much the end of the show”. The band continued into “Don’t Let This Feeling Fade”, also off of Lindsey’s most recent album.
Lindsey made sure to introduce each of her dancers individually by name. “They’ve been working their butts off up here!”
She closed out the night with as much energy and passion as at the start, clearly giving her all to the performance.
Amy Lee reappeared to close the show seated at the piano with a lovely cover of “Young And Beautiful” by Lana del Ray. Lindsey and Amy faced each other as they played their interpretation.
The two incredible ladies united and bowed, with the crowd cheering wildly before their exit.

The pairing of Evanescence and Lindsey Stirling on tour together was certainly one of brilliance, with a live orchestra lifting them both to new heights.

The tour is sure to be a massive success, continuing through the United States into September.


 

 

Review and photos by: Tiffany Cuthrell

Hozier Announces Return To US With Several Tour Stops

Hozier, the Irish gentleman responsible for mega-hit “Take Me To Church” has announced a welcome US tour.

It’s been mostly all quiet on the Hozier front for the last couple of years, with the talented artist hinting at upcoming music via several social media posts. Hozier, whose full name is Andrew Hozier-Byrne, was last seen in the states touring in support of his exceptional debut album of the same moniker, which was released in 2014.

The musician announced the tour via Facebook,Twitter and Instagram with a post that read in part, “Very excited to announce the upcoming North American tour for later in the year which will coincide with the releasing of new work. The completion of the record is fast approaching and I’m eager to share it with everyone.”

Ticket presale is slated for June 14th, while general sale begins on June 15th.

For further details, check out Hozier.com.

All North American tour dates are listed below…

 

09/15: CityFolk Festival Ottawa, ON
09/18: L’Olympia Montreal, QC
09/19: Rebel Complex Toronto, ON
09/21: Riviera Theatre Chicago, IL
09/22-23: Pilgrimage Music & Cultural Festival Franklin, TN
09/24: Beacon Theatre New York, NY
10/01: House of Blues Boston, MA
10/02: Lincoln Theatre Washington D.C.
10/03: The Fillmore Philadelphia, PA
10/05-7: Austin City Limits Music Festival Austin, TX
10/08: The Wiltern Los Angeles, CA
10/12-14: Austin City Limits Music Festival Austin, TX
10/14: The Marquee Tempe, AZ
10/15: The Observatory North Park San Diego, CA
10/16: Fox Theater Oakland, CA
10/18: The Paramount Theatre Seattle, WA
10/19-20: Roseland Theater Portland, OR
10/22: Orpheum Theatre Vancouver, BC

 

 

Preview by Tiffany Cuthrell, photo courtesy of Hozier